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J Yuen Ling Chiu

‘Pigeon (sketch) (framed)’

Photopolymer gravure,
19cm × 24cm, Edition of 18
£140

‘Pigeon (sketch) (unframed)’

Photopolymer gravure,
19cm × 24cm, Edition of 27
£105

‘Pigeon (sketch) (unframed)’

Photopolymer gravure,
19cm × 24cm, Edition of 27
£105

‘And it just would not stop (framed)’

Varied edition, etching and chine collé,
40cm × 50cm, Edition of 14
£375

‘And it just would not stop (unframed)’

Varied edition, etching and chine collé,
40cm × 50cm, Edition of 14
£300

‘Imagined Landscapes - Various (10x10) (framed)’

Unique relief print and collage, various - images are for example,
20cm × 20cm, Edition of 1
£120

‘Botanical Beach (framed)’

Etching,
29cm × 29cm, Edition of 30
£290

‘Botanical Beach (unframed)’

Etching,
29cm × 29cm, Edition of 30
£235

‘Across the river (framed)’

Woodblock,
39.5cm × 35cm, Edition of 20
£160

‘Across the river (unframed)’

Woodblock,
39.5cm × 35cm, Edition of 20
£120

‘Improvisation 6, Variation 4 (framed)’

Unique multiplate etching,
50cm × 50cm, Edition of 1
£565

‘Improvisation 5, Variation 5 (framed)’

Unique multiplate etching,
50cm × 50cm, Edition of 1
£565

‘After the rain (warm red) (framed)’

Etching,
28cm × 38cm, Edition of 5
£225

‘After the rain (ultramarine) (unframed)’

Etching,
28cm × 38cm, Edition of 5
£180

‘Talking to myself (Large) (framed)’

Monotype,
58cm × 78cm, Edition of 1
£650

‘Talking to myself (medium) (framed)’

Monotype,
50cm × 60cm, Edition of 1
£280

‘Residents of the Royal Iris I (unframed)’

Etching,
25.5cm × 35.5cm, Edition of 20
£180

‘Residents of the Royal Iris II (unframed)’

Etching,
35.5cm × 25.5cm, Edition of 20
£180

‘Morning Gathering (unframed)’

Etching,
26.0cm × 26cm, Edition of 27
£120

‘Pigeon looking left (ii) (Framed)’

Etching,
27cm × 37cm, Edition of 5
£300

‘Pigeon looking left (ii) (unframed)’

Etching,
27cm × 37cm, Edition of 5
£240

‘On a ramble’

Screenprint on brass,
10cm × 10cm, Edition of 1
£140

J Yuen Ling Chiu

Ling is a London-based printmaker and artist educator, from Toronto, Canada. Her work explores the architecture and pattern of memory, with especial attention to relationships between urban landscapes, migration, and empire. Her studio practice often shifts between themes, underpinned by a formal exploration of the medium of printmaking.

Thames-side Print Studio is proud to present her newest body of work, ‘Improvisations’. Plant matter collected during her daily commute along the Thames Path is deeply etched into large steel plates using acrylic grounds and saline sulphate solution. The plates are printed in small editions, and then form a library of imagery, surface and texture that can be used over and over again. These improvisations are developed directly on the press and result in unique prints in sequence, a composition that is practiced and changed with each performance, akin to music as much as art.

Researching lower-toxicity and more sustainable processes, Ling’s new work reflects on the changing nature of printmaking, its environmental impact, and the effects of the climate crisis on artistic practice.

Ling is a member of The London Group, Printmakers Council, and Greenwich Printmakers.

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